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Glad to hear it thanks so much! I have a lot more videos on real estate video editing on my channel too. Thanks for watching!

@@AndreiRestrepo ok sir I would check all of them am George from Nigeria I just a full time job with a real estate company and I would be creating their contents too So I would need your help

Thanks! Yeah, really happy with it so far! Thanks for watching

Glad it was helpful! Thanks for watching

Thanks so much! Yep, just a step stool or chair and handheld with the flip screen. Because it was on location, I didn’t have stands and all that. Worked out though!

@@AndreiRestrepo Thanks so much for your reply - its great to know. Certainly did work out well!

Haha yep, definitely worth the upgrade coming from those laptops like mine! Appreciate it!

I typically deliver at least 4-5 twilight photos. Maybe 1-2 of the front, 1-2 of the back, and a detail shot or two since typically we do real twilights for homes with pools. Thanks for watching!

@@AndreiRestrepo thanks you so much for the advice! Great content

Still the same focal length I would horizontally, around 24-35mm! But also super wide having the agent fully on screen like 15-16mm is becoming pretty popular and actually looks pretty well shot vertically too on socials. Thanks for watching!

Glad to hear it! It's a great camera for sure. What kind of work are you going to be using it for? I need to add it to my gear list for sure, here it is! amzn.to/4cShhEn

Thanks! Haha. But having my monitor at a slightly higher viewing angle helps reduce stress on my neck & back vs looking down at a monitor like most others do. Thanks for watching

Nice! That’s probably one of the higher end mirrorless cameras by canon I never really looked into. I bet it’s a beast though! Just wish all their cameras had the same video mode as the R5C. Tough to go back getting used to having waveform, false color, and all the cinema settings

Hey there! I use the 15-35 for photos, and most of my video work! Having a wider focal length on a gimbal typically works best. Nice, I used to have a 5k mark iv, on of my favorite photo cams ever. If I’m being honest, I think this could actually be overkill or have a bit of a learning curve if you were to hand this off to a second shooter, even if they’re familiar with canon. Unless they are familiar with the canon cinema line, operating it could be quite difficult for them at first. For something like you’re talking about, I’d actually look at the R5, or the R6 mark ii. I have the r6 mark ii as my primary photo camera and b cam for video, and it’s great for that. And trust me, once you get a chance to use the newest AF capabilities in the new mirrorless line, it’ll be hard to go back to the 5d4, it’s next level! I’d say the R5C are for those that are wanting to deep dive into video and possibly looking to rig this out since you need battery solutions and stuff like that. Thanks for watching!

What do you mean by raw? Because when we shoot raw on the camera, it automatically defaults to 8k raw lt or st, and the 4k xfavc codecs aren’t available

@@AndreiRestrepo I meant xfavc clog3. My mistake.

Bummer, wish you had a secret trick for me! Haha. But yeah even the 4k mp4 modes are plenty for me and the work I do.

Nice! What kind of video work do you shoot with it?

Nice! And yes, CPL is a must! This is actually a way older video and I are a ton of updated content on running a real estate media business on my channel if you're interested. Thanks for watching!

Hey Kyle! Appreciate the Super Thanks greatly! Glad the video was valuable! 😄

Honestly if you have a newer phone with a wide angle lens, I’d get started with that! Just need a mobile gimbal like a DJI Osmo for example. Other than that, an extra level preowned Sony or canon mirrorless camera would be a good start. But you are probably still looking at $1000ish give or take investment.

I feel you on that! Almost impossible to not get any vignetting at 15mm with VND filters. But, the great thing about using a fixed ND bigger than the lens, is you won't get any really! Almost like having built in ND on a cinema camera. But if you use the CPL + ND, you still might see some vignetting too. Just hard at such wide focal lengths. Thanks for watching!

Thanks so much, appreciate it!

The community I started would be a huge help! I have a lot of newly started RE photographers/videographers in there so it would definitely be a huge help for you getting started. It’s on my website, and my latest video gives you a breakdown of what you can expect by joining! ua-cam.com/video/JRTCpFtcQ1Y/v-deo.htmlsi=aPJohQ97s5sx3j4a

Appreciate it doood!

Thanks so much! No, I’m not. I have no interest in that side of it! Just like things a full time job, being a real estate agent is as well and I wouldn’t do well on the sales side of it, happy with what I’m doing! I know some that are both shooters and agents, interesting dynamic for sure!

@@AndreiRestrepo thanks for your insight.

That means a lot, so glad to hear that!

No, that’s definitely outside of my editing skill! My editor takes care of doing those. I’ll only edit twilights I actually shoot in the evening!

Definitely more to say than I can answer in a comment! But I started out just connecting with local realtors through family and friends doing free shoots to build a portfolio, then paid work, and building my business. I’ve made a video on this - ua-cam.com/video/4aWDlwQca7Y/v-deo.htmlsi=2hmtEbRcaewhzyM9

@@AndreiRestrepo thanks so much

For sure! Ya, that episode is fully dedicated to vertical video shooting!

Haha, I've definitely encountered that before! The only solution is to not shoot in front of it and adjust you composition or focal length to not catch you in the first place. No way that I know of to remove myself from the mirror for video!

@@AndreiRestrepo Thank you for your help and advice. I thought I have to shoot it and then do 2hours of editing trying to do some tricks to remove myself from the footages. In some areas it is too hard, imagine a modern bathroom with an fully mirrored wall in the opening. 😅🤔.

Yeah those are tough! When the mirror faces the doorway like in a small bathroom, I crouch down below the mirror so it's a really low shot but I don't get my self in the mirror.

@@AndreiRestrepo 🙏🙏🙏😅

Great question !! I think either camera can do both, really well. But for an easier workflow and convenience, I'd pick the R6 Mark II. For most of my career I've always had only one camera, and for the time I had only the R6 mark ii, it could do it all! I just came to the point where I would do shoots where I needed a second body and it became easier to have one camera rigged for video, and the other for photo. I'd pick the R6 mark ii to do it all because of the sensor stabilization that's amazing for photos, the way better battery life is a big reason for both photo & video, and a few other perks. Now, that's not to say that the R5C can't do both because it obviously can, but you need an external better solution for video shoots, no IBIS, and a bit bigger body than the R6 ii. So for one camera solution, I'd say the R6 mark ii would be best. Thanks for watching!

I appreciate your detailed answer!! Wish you all the best!!

I would for RE video work, it' looks great! The only other thing to consider is a zoom lens where you aren't just fixed at 12mm. Depends on if you also shoot other type of work where I zoom lens would be more valuable. Thanks for watching!

Yeah, I did do that for a few tests! You're right on what you said, but since they're different size sensors, it's hard to compare in the first place. I actually now use an R6 Mark ii & R5C. The r6 mark ii has gotten few updates and it's a great hybrid camera!

Glad you found it valuable! Lately I've also been stacking just two horizontal videos so it's easier to see what's going on and then full screen versions as well. Thanks for watching!

For sure! It's an older 34" LG ultrawide monitor! Here's the link to it, thanks for watching! amzn.to/3XGtV1T

Glad to hear it, welcome! 😄

Hey! Bunch of good questions here. It definitely didn't happen overnight, 3 years in my actual business model, and it's finally a pretty well established business model! Haha. When I first started, I just did my best to connect with local realtors through any connections I had, produce the best work I could, and repeat over and over again. For organization like that, I recommend using a real estate based CRM. We use Aryeo where clients can request and book shoots and everything else you need. After you get to the point where you can't handle it all like I am, you start to bring on shooters, editors, admins, and so on to help keep running your business! You should also think about joining my community! being able to chat with other RE shooters just starting out or running their own business could be a huge help for you. It's on my website if you're interested! andreirestrepo.com

@AndreiRestrepo Thank you kindly, my friend... You're the greatest since sliced bread 🍞!

Glad to hear it! I have a lot more content on RE photo editing on the channel if you're interested. Thanks so much!

I use the conversion LUTS by Phantom LUTS! Seriously haven't come across any other LUTS as good as these. Their camera color specific and aimed to replicate ARRI color science. Better colors and highlight roll off than the standard canon ones IMO. But yeah I use their CLOG3 neutral for almost all of my work and they have some stylized ones too. Here's my link to them if you're interested! bit.ly/3I9PX7U

Appreciate it, glad it was valuable! Yeah, probably one of my favorite tips on cleaning up the colors inside for sure!

Hmm, never used a 7in monitor! Unless it's only for interview/full controlled studio setups, I think it might be overkill, 5in is plenty big IMO like this one!

@@AndreiRestrepo thank you so much!!! Something I feel hard to see the straight lines on a small camera monitor for real estate shooting... hehehe..

Haha I feel that! Bigger screen would definitely help!

Sigma makes some great glass, I have the prime set ART series! Super versatile and sharp, def recommend!

Hey William! Good question. I would think just having base prices for each sqft tier, and the same add on's available for each one. The value will go up, the bigger the property and then the add on's. For example tier one 0-1999 sqft $250. But then add on's available like drone, video, virtual tour, etc. And she for tier 2 listing, 2000-2999 sqft. I think crunching some numbers with how you currently have it set up would be best if switching the model would work! Thanks for watching !

@@AndreiRestrepo thanks for the response 😄

yeah, that is a bit of a bummer. but since we deliver the photos next day, it's ready by then so we can just send it with the photos at the same time

Correct! I just like to go handheld and taking single exposure shots of them!

@@AndreiRestrepo bro when it gets really dark are we able to lower the aperture to f5 ? sometimes you get stuck late at night. Also everyone says to keep it at 8 or 9 but what about if you use an infinity lens and keep it at infiity then you can lower the aperture?

Do you use a tripod? For night shots I typically try to still keep it at f/6.3 and up, that way the edged are still sharp. If anything I'll also not let my shutter go down too slow and raise the iso a bit!

@@AndreiRestrepo what is too low of a shutter? Ihave an fx3 with is the best for low light

You're still talking about photos right? Asking since you're saying you have an fx3 and it's a cinema cam! but yeah typically for photos on a tripod, I want go slower than a second or two, but if there's not wind then I'll let the shutter be 5-7 sec long. But for video, I would film everything at night at 12,800 iso since that's the second native iso for that cam!

Hey! Haven't used Kuula, just matterport. Ricoh I believe doesn't accept IS360 cameras.. not sure on that. But you can use IS360 cameras for matterport tours, I actually have a video on that!

@@AndreiRestrepo Hey.. thanks for you reply. Yes I saw your Matterport video as well, not sure is RICOH app accepts IS360 however I upload some pict from insta to RICOH app and it worked. But I am still wonder which software use. Is there any other way to be in touch with you? ☺Greetings from Costa Rica

Sure, send me an email and I'd be happy to help with what I can! hello@andreirestrepo.com

For sure! Here's the link! amzn.to/45fy55v

Thanks so much, appreciate it!

Welcome, glad it was valuable!

Interesting, has it happened again?

Thanks so much! I also have a one year review updated video on the Mac mini m2 pro as well. Greetings from TX!

@@AndreiRestrepo ♥

No, it was just because newer cameras were running newer codecs that my laptop couldn’t decode properly, no matter the editing program. Since then it’s worked just fine for me and haven’t had any issues with premiere pro!

@@AndreiRestrepo davinci support more codecs than premiere pro

Nope, it typically hovers around 100-150gb free. It would be more but I'm always syncing stuff to dropbox directly from my client folder on the desktop so that would actually be the main benefit for me to have more storage on the computer. Thanks for watching!